Kiran's story
I am a Canberra-based artist creating contemporary impressionistic works inspired by colour, nature, and emotional resilience. My practice is deeply intuitive, drawing on bold, luminous hues influenced by my Indian heritage and the expansive Australian landscape.
My artistic journey began as a form of healing during a transformative period in my life, where painting became both refuge and expression. Through layered textures, organic mark making, and expressive brushstrokes, my work explores themes of joy, spirituality, and connection to the natural world.
I work across multiple mediums including acrylics, oil pastels, charcoal, and inks, allowing each piece to evolve through experimentation and instinct. I often begin with a prayer or affirmation, embedding intention into the surface of the canvas. My aim is to create immersive works that invite reflection, warmth, and a quiet sense of uplift.
Exhibitions:
- 2024 - Spring Exhibition 2024, Artists Society of Canberra
- 2024 - Squares, Strathnairn Woolshed Gallery
- 2024 - Over Seas Exhibition, Belconnen Arts
- 2024 - The Incognito Art Show
- 2021 - primoRed2 by Redwest, C and H Gallery, Hoppers Crossing
- 2021 - Emerging Women exhibition by Artisan Society, Australia, Box Hill Community Arts Centre
- 2021 - $50 - $500 - RedWest Creatived Co-op, Sunshine Art Gallery
- 2021 - Off The Cuff, The Hut Gallery in Ferntree Gully
Collaborative art for family, friends or corporate teams
A Creative Reminder
Swap the usual food-and-drinks routine for a playful, feel-good creative experience designed for connection, laughter and zero pressure. Ideal for a group bigger than 6.
Collaborative abstract wall-art
One painting, many artists
Spend a creative afternoon painting a vibrant abstract artwork with your family, friends or work mates. Custom artwork size and colour palette available.
Many paintings, many artists
Leave a mark
Start by leaving your unique individual marks on your mates' artworks and then add the your own personality to your artwork to complete it.
